Bold script, hand lettered, modern letterpress wedding invitation

A beautiful soft mint green script is splashed across this luxurious invitation. Another instance where these fabulous clients suggested edits and styling to the design which contributed to a perfect final result.
Also, these super kind words make me feel a little bit special!
"I just wanted to say a huge thank you for the most beautiful wedding invitations! The suite was gorgeous, very high quality and beautifully presented. We really appreciate how easy it was to work with you, nothing was an issue and none of my many many emails seemed a bother. We have had so many compliments on how exquisite the invitations were. I have been recommending you to other brides at work and will continue to do so. You do such beautiful work : )
Thanks again Jess & Matt"

SPECIFICATIONS
Size: A5
Paper: 300gsm 100% cotton rag
Colours: grey and mint green

Variation on a theme.

These three invitations are very similar, but all have been customised to match the budget and theme of each wedding. They are 'variations on a theme'.

1. A classic rose garden

 

 2. Classic rose garden with Modern text

3. Classic Peony

Winter look book #2

Some new designs for Winter!

Luggage tag Save the date invitation

Every now and then, you get lucky enough to produce something breathtaking. This was it for me, from the moment Jacinta contacted me and shared her vision for her Save the date cards, I knew they would look awesome.
Jacinta and Travis would be getting married in Colorado USA. They both currently reside in Western Australia.
Their brief was 'floral, vintage, natural browns, warm greys and blush pink with peonies and a luggage/shipping tag' theme.
As soon as 'The Admiral' pressed into the double thick 600gsm 100% cotton paper on his first motorized run, with a blush impression of a vintage peony flower, I swooned. I had spent some time adjusting the roller height by taping up the rails of the C&P press and the impression was pretty perfect, that is the ink touched only the very surface of the plate and when the pressed closed to form the impression, the ink transferred only into the 'valley' of the impression and not onto the internal sides of the impression. Smiles all round here.
The results speak for themselves.

First press

Second press

Stitching

Corners cut, Kraft re-enforcing ring embellishment and jute string

Envelopes were addressed with white calligraphy ink. Mint vintage Australian stamps were sourced - the perfect final touch.